| |
Ambient Themes Vol. 1
Ambient Themes Vol.1 is an album utilising the best from other albums throughout the Royalty Free Tunes music library. Featuring tracks from Ambient Themes Vol. 1, Dance & Trance Vol .1 each composition is suited for playback with a voice over or as background music for video, films, TV and on-hold telephone system.
As with all titles all the tracks are 100% royalty free, all you pay is £39.95. There is no need for cue sheets or accreditation as we are not affiliated with any collection agency. Simply use the tracks within the terms of the Licence and you never pay anything for them ever again.
NOTE: samples contain audio watermark. Samples at 128 kbps, full track at 196 kbps
This text will be replaced by the flash music player.
|
|
 |
|
|
|
Beginning in the 1980s, Ambient music influenced some pop bands (examples can be found among instrumentals by New Order, Depeche Mode, Simple Minds and U2). Later, electronic dance music and synth pop merged in many artists' works with the dreamy, meandering sound of Eno-style ambient music. Under the guise of various styles, this new genre sometimes referred to as ambient house, ambient techno, ambient dub, IDM, ambience, or simply "ambient" in common use, saw the birth of a new wave of artists like The Orb, Aphex Twin, the Irresistible Force, and Geir Jenssen's Biosphere. Early Warp records artists, (as well as later ones such as Aphex Twin), FSOL Future Sound of London (Lifeforms, ISDN) Autechre, (Incunabula, Amber), Boards of Canada, Massive Attack, Portishead, and The KLF all took a part in popularising and diversifying ambient music. There are now a dizzying array of different sub-genres, festivals, websites, discussion lists, clubs, labels and artists making new, interesting, original music. Ambient music has been used in many television shows and motion pictures and is notable for contributing to their atmosphere. Being an alternative to canned incidental music or stock music cues, it also gives the musician artistic freedom. The traditional practice of composing for film or television usually involves the composer creating recognizable theme songs or jingles for the setting, hero or villain, and for plot elements such as love interest, action, and death scenes. However, ambient music is noted for taking a less formulaic approach in its use in film and TV shows. David Lynch's 1984 film Dune, for example, forgoes the epic sci-fi adventure style theme music popularized by Star Wars in favor of a more atmospheric music score by Toto and Brian Eno.
©Wikipedia 2006 |
|
